I’VE ALWAYS CARED ABOUT WHY PEOPLE CARE.

Cultural strategist · Founder · Creative · Storyteller

Jaychele in her graduation cap, honors stoles and cords in front of Bentley University.

Culture is usually somewhere in the middle.

I’m Jaychele Nicole, a cultural strategist, founder, creative and storyteller based in Atlanta.

A lot of what I do comes back to curiosity. I want to know why something caught on. Why one idea connects and another doesn’t. Why people see themselves in certain stories, brands, artists or communities. Why everybody suddenly has the same thing on their timeline. And, usually, what all of that means.

That curiosity has taken me into a lot of rooms that look different on paper. Social strategy. Creator partnerships. Music. Brand work. Community. Sports. Research. Creating.

To me, they’ve never felt that far apart.

I follow those connections until they become something I can make, share or put into practice.

Before Atlanta, there was Providence.

I grew up in Providence, Rhode Island, and I figured out pretty early that I liked having something to say.

One of my first real ways into storytelling was actually professional wrestling. I was a kid watching it, writing about it and paying attention to an industry that was basically one giant lesson in audience, character, storytelling and fandom before I had any of those words for it.

That interest eventually became journalism. It gave me opportunities to interview people, cover stories and start developing a voice of my own.

It also taught me something I still carry with me: people care deeply about the things that make them feel something.

Community organizing became another way to use that voice. I co-founded Gen Z: We Want to Live and helped organize youth-led racial justice protests in Providence.

I think I’ve been chasing the why behind that ever since.

Then I got to Bentley and started making things happen.

I came to Bentley University as a first-generation college student studying Public Relations.

College gave me the language for some of the things I had already been thinking about, but it also gave me room to test them in real life.

I got interested in what representation looked like beyond talking about it. What happens when you change the room? Who gets invited into it? Who feels like it was made with them in mind?

So I started making things happen.

I served as President of Black United Body, helped launch Black Admitted Students Day, which became recurring university programming, and helped bring experiences like the Black History Month Concert, Unity Conference and Spring Day to life.

Some ideas became events. Others became programs, conversations or changes behind the scenes. Some became things that continued after I graduated.

That last part matters to me.

I never wanted impact that only worked while my name was attached to it.

Somewhere in there, my world got bigger.

I was also starting my career outside of campus.

I found myself moving between social media, influencer marketing, creator partnerships, entertainment, experiential and artist strategy. One internship would have me thinking about community. Another would put me around talent and brands. Another would have me looking at what people were saying online and figuring out what a brand should do with it.

And I loved that I didn’t have to pick just one.

Because the more I did, the more obvious the connection became.

I was interested in culture.

Not culture as a buzzword. I was interested in why people gather around things, how artists become bigger than their music, what makes a campaign actually land and how moments turn into something people want to be part of.

Once I understood that was the thing connecting so many of my interests, everything made a lot more sense.

I started Culture Shift before I had everything figured out.

Culture Shift started while I was still figuring out what I wanted my career to look like.

I had ideas, and I was good at seeing what other people were trying to create, finding what wasn’t clicking and helping them make it clearer. I also didn’t want to wait until somebody gave me a title that said I was allowed to do that.

So I started doing it.

What began as brand ideas and strategy conversations became an actual practice. Creators came to me. Artists came to me. Founders came to me. The questions got bigger, the strategy got deeper and Culture Shift grew with them.

It also changed the way I saw myself.

I didn’t need every part of my career to fit into one job description.

I needed a point of view strong enough to connect all of it.

EXPLORE CULTURE SHIFT

A few things that make me, me.

Women’s basketball

I’m a huge WNBA fan, but “fan” may be underselling how many stats, storylines and opinions I have at any given moment.

The internet

I love the internet. I’m fascinated by what people talk about, how language moves, what becomes a meme, what gets discourse and what that says about us.

Music + entertainment

Artists, rollouts, fandoms, live experiences, celebrity, branding. I could talk about the machinery around entertainment almost as long as I can talk about the entertainment itself.

Creating

A strategy deck, a carousel, a random idea that turns into a series, a concept I suddenly need to make real. I like having an idea and figuring out what form it should take.

Community

Actual relationships, shared experiences and spaces where people feel like they belong.

A little context.

Based

Atlanta, Georgia

From

Providence, Rhode Island

Founder

Culture Shift

Creating

Taking the ideas out of my notes app

Watching

Probably basketball

Thinking about

Culture, always

Open to

Good ideas and interesting people